When she finally appeared, emerging from a long dark corridor, everyone gasped, our breath stolen by the sheer spectacle of it all: Her breathtakingly beautiful kimono, the glittering gold thread of her obi, the stark white veil of her makeup beneath a halo of laquered black hair crowned with colorful slik flowers and shimmering silver tassles. Even apart from the exotic extravagance of her regalia, her sweet, subtle grin, delicate features and slender neck, all highlighted by her hair, makeup and dress, made quite a pleasant impression. Introducing herself in a charmingly child-like, high pitched voice, she bowed low, on her knees with her head almost to the ground, asking us for our favor. Yoroshuu otanomooshimasu!

Showing off the elaborate yuzen design of her luxurious, long-sleeved silk kimono, subtly shaded in the sweet pallet of early spring. Yuzen is a textile process that combines a mixture of freehand paste resist and painting, which may also include stencil and shibori work. The decorative flexibility possible with this combination of techniques is unsurpassed. Designs are initially outlined in paste resist, and dyes are then applied to give subtle gradations of tone. Both delicacy and lavishness are characteristic of yuzen, as are traditional themes and decorative designs. Embroidery and gold leaf are sometimes elements of yuzen composition.

Her hair, drawn up in the fashion of young maiko, known as the wareshinobu, compliments her long, slender neck, painted in white save for a fork of bare skin leading down to the risque plunge of her kimono collar.

Ningyou-ke? Is she a doll? (^-^) Have I ever told the story of the child seeing a maiko for the first time as she walked down Shijo with her mother? "Mama, look! Is that a doll?" She squealed excitedly. "That's a maiko-san", her mother giggled. "She does look like a doll, doesn't she. Isin't she cute?"
Takahina was accompanied by her Okami-san, who quickly noticed my brother and I. "Well, well, Takahina-san, we have some foreign guests who were kind enough to come and see us. Now's your chance to practice your English. Do you remember anything?""Umm..." She thought for a moment.With and irresistible shyness, she slowly formed the words, carefully pronouncing each sound. "Wheea aa you from?" she asked, smiling nervously. As she raised the intonation at the end of the question, a point that is often stressed in junior high school English classes, she tilted her head to one side, the fluttering strands of her hana-kanzashi (flowered hair ornament) resting on her cheek.
Of course Takahina danced for us, but I was too caught up in the experience of it all to worry about taking pictures. Sorry!
Takahina, my brother and I.

Sleepiness is no excuse to stay in bed when there is sakura to be seen!
Cherry blossoms line the Kamogawa River, leading the way into the heart of Kyoto.
A bike ride beneath the cherry blossoms gracing the banks of the Kamogawa River and Kawaramachi-Dori.
Taking a rest to listen to the sounds of the Kamogawa beneath a lovely shidare-zakura (weeping cherry).
A couple debates which way to go outside the newly renovated gate to Yasaka Shrine, also known as Gion-san.

An unlucky fortune tied amongst the cherries inside the shrine.
Special lanterns hung in Gion announcing the up-coming
A popular 
My brother and I on Tatsumi Bashi (Bridge) over the Shirakawa stream in Gion.
When my brother tried to get a picture of me on the bridge, a small group of Japanese tourists gathered around to snap a few, too. These guys even asked if they could get a picture with me, first with their cameras and then with their cell phones. "Bijin da ne!" (You're a beauty, aren't you!) Um, not exactly boys, but arigatou! Did I mention I love Kyoto?
Many people dress in Kimono for cherry blossom viewing, especially in Kyoto. Ketai are the camera of choice!
If you're going to wear kimono, you may as well go all the way! Many tourists dress up as maiko or geisha to sightsee and have souvenier pictures taken. Most of the "geisha" people see during day are actually just tourists playing dress up!
It's also true that the size of a Japanese person's camera seems to increase proportionatly according to their age. Here a bunch of ojiisans (old men) snap away at the sakura.
Kimono-clad hanami along the Shirakawa.
The monument in rememberance of Yoshii Isamu, the poet and fellow Gion-ophile whose poem is engraved on the rock: No matter what they say, I love Gion. Even in my sleep, the sound of water flows beneath my pillow.
More coming soon!



As Mari finishes preparing a cup of tea, Katsuyuki brings another.

Peace from lantern-lit Miyagawa-cho! (*^_^*)v 





