Tuesday, October 4, 2005

Hungry Ghosts of Pchum Ben


My last night in Phnom Pen seemed it would end all too soon after leaving a popular local night club called Spark. I sat, side-saddled, on the back of my friend's motorbike, as we toured the quiet city's mostly empty streets. By the bright lights that illuminated the Royal Palace, I was amazed at the amount of people still awake. Children ran and played as women sold brightly colored fruits and vegetables, while young people hung out. Couples lined the bank of the Mekong River along the Sisowath Quay, and the sidewalks were crowded with the tuk-tuks and motorbikes that had flooded the streets during the day, their drivers curled up beneath their tuk-tuk canopies or balanced along the seat of their bikes, feet crossed, up on the handle bars, catching a few winks before their work began again.

In front of a temple gate I noticed many large groups of people gathering. Young girls were selling plates of brightly colored sweets on mounds of tiny rice balls, decorated with white blossoms and a long stick, planted deeply in the sticky rice, from which hung a paper ornament in the ghostly shape of a person. Curiosity peaked, I asked my friend to stop, and as we slowed down across the street from the temple, the girls ran to us, eager to make a sale. Glancing over their heads I saw enormous crowd filling the street, headed towards the temple, bathed in the unnatural glow of a streetlight. My friend explained that these people had come to celebrate Pchum Ben, the festival of hungry ghosts.

I bought a thin, aluminum platter stacked with small rice balls, flower shaped sweets and two lilies and walked into the temple grounds to sit outside the doors with many of the people hoping to get a good seat for the service. From the moment I passed through the gate I felt and met the eyes of all the people gathered turn towards me in shock and amazement. For the first time in my life I felt out of place, as if my presence was completely unexplainable. Since I knew neither the language nor the custom of the people who wondered at me, I could not help but lower my eyes and stay close to my friend.

A small crew of children followed me to where I sat down, and then stood before me, tilting their heads this way and that, trying to figure me out. Finally they began to smile and giggle before working up the courage to use what little English they knew to introduce themselves: "My name Ran," smiled a small boy, pointing to himself. "My name Dalin," he said, pointing to another. We giggled together, struggling to make sense of one another, until the creaking sound of the great wooden doors of the temple slowly swinging open cut through our laughter and drew my attention to the temple, which seemed to gasp for air as 3 young monks in saffron colored robes subdued in tone by the cover of night struggled to pull them open for the visitors.

We joined the crowd, followed by the children, who's hands I found laid upon my feet as we reached the door, fighting over which of them would watch over them, hoping, as my friend later told me, that they might earn some money in doing so. They did not pass through the doors, but sat, squatting at the threshold, arranging the growing jumble of empty shoes into rows and columns. After checking my shoes at the door, I half expected to feel the smooth, cool, woven texture of tatami beneath my feet as we entered the temple, but instead I turned to see the entire room covered in bright red carpet. At the front of the hall was a large golden buddah, framed by four golden columns, connected by strands of Christmas lights. Behind the buddah's head was a psychedelic, swirling, neon-colored something that looked like it belonged beneath a black light. When I mentioned the difference between this buddah and the ones I had seen in Japan, my friend proudly replied "Ah, yes. We use technology!"

On the far left hand side of the room, the monks began to trickle in, taking their place in neatly arranged lines on the floor, facing the growing audience. They seemed to be shaking off the sleep still thick in their eyes, as I began to feel mine grow heavy. By this time people had packed the temple tight, and were standing along the walls and crowded outside the open door, filling the courtyard. A monk began to chant. It was 4 Am.

The beat of the drum led them in their song, so calming I nearly fell asleep on the shoulder of my friend, until the women behind me pulled one of my toes and explained to us both, in Khmer, how improper it was since he was a boy. I was horribly ashamed, and fought with all my might to sit straight up with my palms pressed together, making my own prayers as the monks led the congregation in reciting theirs. When the chanting finished I opened my eyes to see the monks shifting themselves to face a new direction before starting all over again. If I had not been struggling to keep myself from falling asleep and further disgracing myself, I would have paid much closer attention, but all I remember is struggling to get back up to my feet as people around me picked up their plates of food, many with sticks of incense or candles burning on them, and flowed around me towards the door.

Framed by the open doors I could see the courtyard full with people, their faces dimly lit by the candles of their offerings, as they began to make three loops around the temple, crammed with hundreds of other devotees. The small children that had promised to keep watch of our shoes appeared at my feet, arranging my shoes for me to slip easily into as I joined in journey through the grounds, surrounded by the melting candles, sweet scent of incense and haunting paper spirits, which floated in the gentle wind of the bustling crowd. Each time we reached one of the 8 compass points, the people joyfully threw bay ben, a mixture of sticky rice, black beans, sesame and coconut milk, as an offering to the hungry ghosts of their ancestors, believed to return to earth during these 15 days, during which time their prodigy can ease their suffering.

With over 50% of the population under the age of 20, it is no doubt that this festival carries the weight of remembering all those who died under the genocidal reign of terror imposed by the Khmer Rouge, which killed more than 2 million people, about a third of Cambodia's population at that time, between 1974-79.

I could not stay to make the 3 circumnavigations of the temple before the sunrise called the spirits back to the other world, for soon it would call me away as well, down the Mekong River to the last stop on my journey: Viet Nam.

Sunday, October 2, 2005

The Faces of Bayon

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When Zhou Daguan visited Angkor in 1297-98, Bayon's towers were covered in gold. While Angkor Wat was kept from the ravages of the jungle by devoted Buddhist monks, Bayon was forgotten, left to the mercy of nature.

From a distance, it seemed the jungle had taken its revenge on the eerie mass of jumbled rocks known as Bayon. I approached it in awe as hundreds of faces began to emerge from the tangled mass of stone and shadow. 54 towers chaotically assaulted the sky, each in its own plain, creating an intimidating sense of height.

When Chinese ambassador Zhou Daguan visited Angkor before the dawn of the 14th century, the city was dripping with the gold and riches of empire.

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"At the center of the Kingdom rises a Golden Tower flanked by more than twenty lesser towers and several hundred stone chambers," Zhou wrote.

"On the eastern side is a golden bridge guarded by two lions of gold, one on each side, with eight golden Buddhas spaced along the stone chambers."

The"golden" period of the Khmer Empire was not a peaceful one. Rival powers from present-day Vietnam, Thailand, and Burma struggled with the Khmers for regional domination. Ironically, the Khmers' architectural prowess aided in their demise, as extensive temple construction, combined with frequent military conflicts, eventually drained the empire's resources. As the empire declined, Angkor was sacked several times, the gold and jewels stripped as spoil by invading armies. Bayon was one of the last great achievements of the empire, but fell in 1432 to the Thais, and was soon after forgotten.

The gold and jewels may be gone, but the mystique and grandeur of the Khmer kingdom endures.


A translation of King Jayavarman VII`s mystic Buddhist beliefs, Bayon is a spiritual experience. From each of the survivng towers the enlightened grin of the Boddhisattva Avalokitesvara, one of the most worshipped divinities in Mahayana Buddhism and the kingdom's principal divinity, compassion radiates out in the four cardinal directions. Carved in the likeness of the King himself (his portrait is known from other sculptures found elsewhere in Cambodia and Thailand), these enigmatically smiling faces portray the King as god, symbolizing his omnipresence and omnipotence.

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The Khmer Smile.

Bodhisattva Avalokitesvara is believed to be the embodiment of compassion. A bodhisattva is motivated by compassion to seek enlightenment for all beings. The 216 faces haunting the heights of Bayon project benevolence outward in all directions, and are believed to bring hope, happiness, peace, and protection to all, especially those living in the Khmer Empire.


As I wandered around in wonder, watched by the eyes of Big Brother, Bayon-style, I couldn't help but feel like I was trapped in an MC Escher drawing. I don't think I could ever have believed such a place existed, even in my dreams, and I certainly never imagined that someday I would see it with my own two eyes.


Saturday, October 1, 2005

The Road To Angkor Thom

The Enlightened eyes of the 54 devas, or lesser gods, gaurding the gate of Angkor Thom.

Walking along the narrow road to Angkor Thom, dodging motor bikes and bicycles, a long line of elephants appeared in the shade of the jungle, camouflaged in the shadows of leaves. I watched them as I walked along, until when I finally turned my head I saw a massive stone gate rising up like a mountain, from the peak of which I found a face staring back at me, and two more surveying the jungle in each direction. I came to the foot of a bridge over a large moat, once filled with alligators to detour trespassers like myself. I crossed the causeway, encouraged by the serene smiles of 54 devas on my left, though from my right I felt the heavy stare of 54 demons. Peering down from above, the omniscient eyes of the gatekeeper seemed to watch my every step. I felt as if I were passing through the oracle in the Never Ending Story.

The watchful eyes of Angkor Thom's demons.

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Niether the gate of Angkor Thom, nor the eyes of its gaurdians, can prepare you for the jewel of the jungle: Bayon.

Friday, September 30, 2005

Home of the Gods


The five peaks of Angkor Wat, reflected in a pool of lilly pads and lotus blossoms, pierce the sky, silohetted by the rising sun. The innermost tower represents Mt. Meru, center of the Hindu universe. Its four surrounding spires symbolize the peaks of the Himalayas.

Thursday, September 29, 2005

On Earth As It Is In Heaven

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The legendary origins of Angkor Wat (or Capital Temple), according to locals, lie in the story of Preah Ket Melea, son of the king of heaven and a mortal woman. The gods complained that he smelled, and asked his father to send him down to Earth. The king agreed, offering his son the opportunity to have an exact replica of any edifice in heaven erected on Earth with the help of the celestial architect (whom villagers still invoke whenever a building is constructed). A modest man, Preah Ket Melea chose the stable. An ox was released onto the plain of Angkor and the place where it layed down became Heaven on Earth: Angkor Wat.

Thursday, September 15, 2005

The Bread-Head Incredibles

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A young mother and her pre-school child share a tender moment admiring his superhero snackables.

Anpanman is not alone in Anpan Land! The Bread-head incredibles are always saving the day with their special super-pan powers! Where as Anpanman`s bun is bursting with sweet bean filling, Currypanman`s cranium is crammed with curry (center of the photo). Shokupanman, a slice of white bread, has no delicous filling, but he makes up for it with his dashing good looks (upper right). Shokupanman is Anpanman's closest and most handsome superhero friend. Patron super-snack of school lunches, he is the resident gaijin of Anpan Land, complete with the gaijin powers many foreign men recieve upon entry in Japan. He`s quite a hit with the ladies! Suprisingly enough, Shokupanman's secret headquarters lie deep within Toaster Mountain.

Wednesday, September 14, 2005

Anpan Man Begins...

The story of Japan's most beloved super-hero snack-man.

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Anpan (あんパン) is a Japanese bread (or pan, as it was introduced to Japan by the Portuguese,) filled with sweet, red bean paste- the secret to Anpanman's super-snack strength!

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Uncle Jam's bread factory nestled in a forest..."Let's make living bread!"
"This time will it will really work!"
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Dear God, please give us living bread...That night....
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In a distant sky, a Star of Life was born.

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....The bread is baked!.........Waaaaah!
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Living bread! Come to Dada...Walk... Ah! He can fly!

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He got bigger and bigger and became Anpan-man. "I'm going to help the hungry!"
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Someone is crying! Go for it, Anpan-man!
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It's coming from the bottom of the valley...Who's that?

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"Baikin-man, arch- enemy of justice! I was born to fight you! "
"Until we meet again, Baikin!"

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I'm coming...come on! You're OK! Eat this! It will make you feel better!
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"Yummy Woof! "...."Let's call you cheese!"

The Original Anpanman Cast:

Uncle Jam, the kindly old baker who made and raised Anpanman, and replenishes his sweet-bean strength.

Batako, Uncle Jam's young, female assistant.

Cheese, their adopted puppy.

Anpanman, the super-hero snack man fighting hunger with his delicious sweet-bean filling.

Baikinman, a dirty germ, and arch-enemy of anpanman.